The Pitch: A Series About Wacky Terrorists

Here are a few highlights from the hottest Hollywood script you will most likely never see produced on a television or movie screen:

• Abu, Ahmed, Musab and Salar, a cell of Islamic terrorists sent to Chicago by a nefarious network resembling Al Qaeda, are getting chewed out by their murderous boss, just in from Afghanistan. (They have been spending the organization's money like crazy but haven't blown anything up.) Just then, two deliverymen knock on the apartment door, bearing a huge flat-screen TV.

• Ahmed, whose cover is a job as a bike messenger, falls in love with a neighborhood florist - who turns out to be Jewish - but can't get up the nerve to ask her out. "You're bright, you're funny, you're talented," Musab says, urging his comrade on. "Who made the best nail bomb in training camp? You did!"

• Abu blends in by joining a bowling team, and becomes a fanatic: "We will dance in the blood of the losers from Hal's Body and Paint Shop!" he vows. But he is a hapless terrorist. A fertilizer bomb in his trunk accidentally goes off outside when he is bowling for the league championship - toppling his last two pins and clinching victory.

"The Cell," as this exercise in envelope-pushing is titled, has been making its way through Hollywood for more than a year, cracking up development executives and their assistants, being passed from friend to friend like an underground newspaper behind the Iron Curtain, and winning its creators, Mark Jordan Legan and Mark F. Wilding, scores of meetings and three other writing assignments.

Sadly, the article by David M. Halbfinger goes on to note that this script is too explosive to touch. Such cowardice by network execs is the reason HBO has the only compelling programming on TV. You'd think they might remember Hogan's Heroes, a show about prisoners held by wacky Nazis. Then there's Monty Python's Life of Brian, still the definitive satire of terrorism, among other things.